On Broadway Soo also created the title role in Amélie, A New Musical and Eliza Hamilton in the Pulitzer Prize-winning Hamilton and played Rebecca in Beau Willimon's The Parisian Woman her screen credits include One True Loves, Shining Girls, Dopesick, Hamilton, The Bite, The Code, Here and Now, and tick, tick… BOOM ! But it's not only her vocals that cast a spell over the audience Soo has created a more modern, shrewd Queen Guenevere, one who emerges as a guiding force in the male-dominated world that surrounds her. Soo, whose beautiful renditions of "On the Steps of the Palace" and "No One Is Alone" were among the production's many highlights, subsequently journeyed out of the Woods and into the land of Camelot, where her rich, soaring soprano now shines eight times a week on such Alan Jay Lerner and Frederick Loewe classics as "The Simple Joys of Maidenhood," "Take Me to the Fair," and more. The Illinois native began the season playing an especially frantic and tripping-prone Cinderella in Lear deBessonet’s stripped-down, Tony-nominated revival of Into the Woods, which transferred from the New York City Center Encores! series to a much-extended limited engagement at the St.
It's been an especially busy time for the Hamilton Tony nominee, who rose from a princess to a queen all within the same Broadway season. This week, How Did I Get Here-featuring not only actors, but directors, designers, musicians, and others who work on and off the stage to create the magic that is live theatre-spotlights Phillipa Soo, who is currently starring in Lincoln Center Theater's Tony-nominated revival of Camelotat the Vivian Beaumont Theater.
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